Jump to navigation

  •  
  •  
  •  

  • Courses
  • Resources
  • Case study
  • Showcase
  • Tools
  • Gallery
  • Videos

Search form

Animation Design Communication Design Design Fundamentals Interaction Design Product Design Tools for Design Open Design
Home / Resources / History of Puppetry in India / Major Puppetry Traditions of Indian States / Gomba Atta (String Puppet)

.

top unblocked 76 games free access unblocked games 76 now latest unblocked online games kays games unblocked access retro bowl unlimited play play retro bowl without block cool math brain games free school-friendly unblocked games yohoho io game online lesson guru hack and help play baseball bros unblocked classroom 6x games to play 76
Design Resource

History of Puppetry in India

Theater Art
by
Rajiv Sarkar and Prof. Ravi Poovaiah
IDC, IIT Bombay
Gomba Atta (String Puppet)
 
  • Printer-friendly version



“Traditional string puppet theatre of Karnataka in south-west India. String puppets have different names in Karnataka depending on the region. In the southern part of Mysore, they are called sutrada gombeyata (sutra: string, gombeyata: dance), whereas the term yakshagana (chant of celestial beings) is used in the northern style, yakshagana gombeyata. They present little difference in terms of costumes, make-up, repertory themes, performance structure and music. Sutrada gombeyata puppets are one metre high and weigh between 6 and 8 kilograms. They are carved by sculptors from light rot-resistant wood. Unlike yakshagana gombeyata puppets, which have legs and are articulated at the knees and ankles, sutrada gombeyata puppets are legless with long dresses floating under their upper torso. The puppeteers make each puppet play multiple roles and transform them during the performance. Their round faces painted in blue, red, and yellow can change into a hero or a demon, a hunter, or a forest hermit. The stage, whose dimensions vary depending on the region, is usually set up outside the temple of Kali. The visible part measures about 180 centimeters by 120 centimeters with a depth of 75 centimeters. The rest of the stage is covered by dark cloth in order to hide the puppeteers. Each puppet, suspended by six black strings (two tied to the ears, two to the hands, and two to the hips), is handled by the puppeteer who directs its movements with his two hands as he talks and sings”.

  • Introduction
  • Mapping on a Timeline
  • Types of Puppetry in India
  • Indian People in Puppetry
  • Media, Materials, and Stories
  • Major Puppetry Traditions of Indian States
    • Tholu Bommalata (Shadow Puppet)
    • Koyya Bommalata (String Puppet)
    • Putul Naach (Rod Puppet)
    • Yampuri (Rod Puppet)
    • Gomba Atta (String Puppet)
    • Togalu (Shadow Puppet)
    • Tholpavakoothu (Shadow Puppet)
    • Kalasutri Bahulya (String Puppet)
    • Chammadyache Bahulya (Shadow Puppet)
    • Rabana Chaya (Shadow Puppet)
    • Kathputli (String Puppet)
    • Bommalattam (String Puppet)
    • Kandei Nach (Glove Puppet)
  • Conclusion
  • Links
  • Downloads
  • Contact Details
  • Credits

Creating Digital-learning Environment for Design



  • Courses
  • Resources
  • Case study
  • Showcase
  • Tools
  • Gallery
  • Videos
  • Animation Design
  • Communication Design
  • Design Fundamentals
  • Interaction Design
  • Product Design
  • Tools for Design
  • Open Design
  • Contribute to our Dsource
  • About
  • People
  • Events
  • Job@D'source
  • Contact Us
  • Privacy Policy
  • Download App
  • YouTube
  • Facebook
  • Twitter

Indian Language
English Bangali Gujarati Hindi
Kannada Malayalam Marathi Punjabi
Sindhi Tamil Telugu Urdu