Jump to navigation

  •  
  •  
  •  

  • Courses
  • Resources
  • Case study
  • Showcase
  • Tools
  • Gallery
  • Videos

Search form

Animation Design Communication Design Design Fundamentals Interaction Design Product Design Tools for Design Open Design
Home / Resources / Dholak Waale - Thanisandra / Making Process / Cardboard Dholak

.

top unblocked 76 games free access unblocked games 76 now latest unblocked online games kays games unblocked access retro bowl unlimited play play retro bowl without block cool math brain games free school-friendly unblocked games yohoho io game online lesson guru hack and help play baseball bros unblocked classroom 6x games to play 76
Design Resource

Dholak Waale - Thanisandra

Folk Drum Player
by
Prof. Bibhudutta Baral, Divyadarshan C. S., Lija M. G. and Shruti K.
NID, Bengaluru
Cardboard Dholak
 
  • Printer-friendly version

Dholaks are made of cardboard rolls and wood, cardboard rolls purchased through middlemen which are the leftover from textile industries. As cardboard rolls vary as per size and thickness it is evened with by removing the extra thickness from the rolls for the cardboard to get the good sound. Generally two cardboard rolls are fixed to get a size close to (one) feet, which is suitable for kids. First step is to fix the two cardboard rolls and dried under direct sunlight.

A mixture of Kataha (paan ka maale or color kataha) is mixed with water and chunna (lime stone), brushed to the surface of the cardboard and dried completely. Patterns are made on the outer surface is cut as per the requirement into the required shapes that adds value. The goat leather is soaked in the water for about 10-15 minutes and squeezed. Soap is applied on the leather sheets to which the bamboo sticks made to the ring form are placed on the leather sheets and locked. The mixture of sahi-kare (mixture of lambi (scorpion shells of tropical waters), grease, used engine oil and chalk ka mutti (lime stone powder)) is applied at the center and dried for some time for the sound production of the taal. Sahi-kare must be applied with only the required thickness.

The body of the cardboard roll is coated with a layer of wax for better finish after which it is scrap with the rapi tool to smoothen the surface. It is then applied with a coat of wood polish for the final finish. As the leather with the bamboo rings are made it is joined to the two ends of the cardboard rolls with the rope moving in a zigzag manner along with iron rings at one end for the production of the taal (rhythm).

Membrane and body (roll) are fasten using twine, stitched at seven places in a zigzag manner by adding metal rings along with the for producing the taal. Usually the number stitching may increase from 7 to 9, 11 or 13 as the size of dholak increases with minimum of 7 knots for the production of the sound (rhythm).

col-sm-4
col-sm-8
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-8
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-4
col-sm-12

‹ › ×

    • Introduction
    • Tools and Raw Materials
    • Making Process
      • Bamboo Rings
      • Cardboard Dholak
      • Wooden Dholak
    • Products
    • Video
    • Downloads
    • Contact Details
    • Credits

    Creating Digital-learning Environment for Design



    • Courses
    • Resources
    • Case study
    • Showcase
    • Tools
    • Gallery
    • Videos
    • Animation Design
    • Communication Design
    • Design Fundamentals
    • Interaction Design
    • Product Design
    • Tools for Design
    • Open Design
    • Contribute to our Dsource
    • About
    • People
    • Events
    • Job@D'source
    • Contact Us
    • Privacy Policy
    • Download App
    • YouTube
    • Facebook
    • Twitter

    Indian Language
    English Bangali Gujarati Hindi
    Kannada Malayalam Marathi Punjabi
    Sindhi Tamil Telugu Urdu